Orden och ordningen
Spruce and brass, 2015
Linköping is a city of busy squares with trade and room for social interaction. Elin Magnusson brings up the issue how the public space has been used throughout history and how contemporary tendencies challenge the democratic freedoms. The work consists of a pulpit that anyone is free to use. On the podium the person who wants to speak their mind encounters a quote by the Swedish writer Moa Martinson. Opposite stands an object which resembles the aesthetics of the podium but is reminiscent of a watchtower. Unlike the pulpit, visitors can’t enter it, making the guarding position anonymous and hidden.
Elin Magnusson herself says: ”I have thought of the tradition surrounding Free speech, the voice as a tool for power and the importance of bringing stories passed down from those who have gone before us. Looking back in order to look forward. What happens if Free speech is used to divide people, exclude and shut out? How free is it then and for whom.”
The work is part of the group exhibition Becoming by Recalling, which takes place in several locations in Linköping and is initiated by Passagen Konsthall. It raises questions about cultural heritage and identity through the works of 12 artists from the Nordic countries and Ukraine.
– Susanne Ewerlöf, Freelance Curator and Project Manager
”På Lilla torget har Elin Magnusson uppfört en talarstol i trä mittemot ett vakttorn. Friheten bevakas och kan beskjutas.”
-Christer Fällman, Corren
”En äldre man kliver upp i talarstolen för att titta närmare på torgets nya påfund.”
-Mats Granberg- NT
”Symboliken är tydlig: ordet är fritt, men det finns alltid någon som sitter på pass, redo att attackera det du säger.”
– Erik Wallsten- NT